What was supposed to be a night out on the town with her sister turns into one woman’s nightmare as she discovers her sibling’s boat sprayed with blood. Who would want her sister dead? Will she ever discover the truth? Find out in Colleen Coble’s latest novel, The House at Saltwater Point. Continue reading “Family Comes First at ‘The House at Saltwater Point’ [REVIEW]”
Soon after her husband’s death, and much to everyone’s dismay, a woman does the unthinkable: she leaves her homeland behind and travels to the United States to discover the truth regarding questions her deceased spouse would never answer. But will she like the answers she receives? Find out in Leah Franqui’s debut novel, America for Beginners.
Continue reading “‘America for Beginners’ Should Be Required Reading for Everyone [REVIEW]”
An actress acclaimed for her death scenes seeks a career reboot by accepting the leading role in a feature film based on a centuries-old love letter. But will this role of a lifetime change more than just the trajectory of her career? Find out in Rachel Hauck’s The Love Letter. Continue reading “‘The Love Letter’ Changes Lives Centuries After It Is Written [REVIEW]”
A serial killer obsessed with families. A cop with an idyllic life. A pharmaceutical company bent on transforming the future. When all three collide, it can only result in one thing: pure terror. Prepare to burn the midnight oil because Jonas Saul is back with his creepiest thrill ride yet, The Immortal Gene. Continue reading “‘The Immortal Gene’ Delivers Creepy, Scary Thrills [REVIEW]”
I have always loved survivor stories: those tales where people beat the odds, transform their lives, and wind up with something better. So it brings me great pleasure to bring you our latest Diamond Review title, James Markert’s What Blooms from Dust. In this redemptive story set against the 1930s Dust Bowl, we are introduced to what may likely become two of modern literature’s most unforgettable characters.
Continue reading “♦ Hope and Redemption are ‘What Blooms from Dust’ in James Markert’s New Novel [REVIEW]”
